(Mary Wigman)
Wigman was born in Hanover, Germany. In the beginning of her dance life, she was a student of Émile Jaques-Dalcroze. In 1913, she was introduced to Rudolf von Laban, and she became Laban's right-hand. Laban's concept of dance influenced Wigman a lot, as a result, Wigman achieved expressionist dance. Her performance based on contrast, for instance, expansion and contraction, pulling and pushing.
(Hexentanz, fragment 4)
In 1920, Wigman established her own dance school that became known as "Dresden Central School." Wigman trained many famous dancers that included Hanya Holm, Harald Kreutzberg and Gret Palucca.
In World War II, Wigman obeyed the rule of Nazi that fired all Jewish dancers in her schools. In 1942, her schools were shut down because Nazi government banned to use dance to express any philosophical views.
Wigman died on September 18, 1973 in Berlin.
Overall, the emergence of modern dance in Germany is interesting to study. With the context of WWII, I cannot fathom how it must have been for dancers to try and express themselves in Nazi Germany. However, what is fascinating is how one's environmental surroundings can really influence one's artwork. I believe the oppression and violence witnessed by Wigman lead her to be very expressive in her work; I also believe that her work had serious undertones because of her experience in Germany during WWII.
ReplyDeleteWigman was dancing and creating during WWII and I find it interesting how she gravitated towards working with contrasts and opposites because during that time Germany itself had a clear divide.
ReplyDeleteThe woman in the photo at the very top of this post is definitely not Mary Wigman.
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